Auditions

AUDITION NOTICE
The 2024-2025 Season
THE MUSIC MAN 
Disney’s FROZEN THE MUSICAL
RAGTIME THE MUSICAL
BEAUTIFUL: THE CAROLE KING MUSICAL

SEEKING
Equity and Non-Equity actors/singers/dancers for ALL PRODUCTIONS. Adults only, 18+. We will have a special call for children and teens at a later date. For show dates and more information, visit www.CitySpringsTheatre.com.

CHARACTER BREAKDOWNS

AUDITION DATES
Tuesday, May 28th, 10am – 6pm:  AEA Actors Only by Appointment (Non-union actors will be placed on a waitlist, and will be seen on a first come basis after AEA appointments)

Wednesday, May 29th, 10am – 6pm:  AEA Actors Only by Appointment (Non-union actors will be placed on a waitlist, and will be seen on a first come basis after AEA appointments)

Please sign up for a time slot by clicking HERE.

VIRTUAL SUBMISSIONS
We are NOT currently accepting virtual submissions for any of our productions. If you are unable to attend any of our auditions in-person, we will announce a virtual option later. PLEASE DO NOT CALL OR EMAIL. We will update the website once those are available.

LOCATION
8601 Dunwoody Place, Suite 136
Sandy Springs, GA 30350

Sometimes the address above does not take people to the correct location. To avoid this issue, please put the following address in your GPS:

136 Old Roberts Drive
Sandy Springs, GA 30350

CONTRACT & RATES
AEA LOA-LORT – New Contract Pending. Past rates are below:
$619/week + health and pension Union
$350/week Non-union

PREPARATION

All Actors MUST bring a stapled front to back headshot and resume.

AEA Actors: Must provide proof of membership in person.

EPA Audition: Auditioning performers should perform a short selection in the style of the show they are interested in, accompanist will be provided.

SHOW SPECIFIC AUDITIONS & CALLBACKS

In-person show specific auditions and callbacks will be held at City Springs Theatre Studios at a later date. We will be in touch if we need anything additional.

PERSONNEL ATTENDING AUDITIONS:

Natalie DeLancey, Executive Director
Shuler Hensley, Artistic Director

Please refrain from phone calls and sending emails. If necessary, please email casting@cityspringstheatre.com

OTHER:
City Springs Theatre and Actors Equity Association’s contracts prohibit discrimination. We are committed to diversity and engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, we encourage performers of all ethnicities, gender identities, body types, ages, as well as performers with disabilities, to audition.

www.CitySpringsTheatre.com

VIRTUAL AUDITION NOTICE for ATL LOCAL ARTISTS ONLY
Season 7 – THE MUSIC MAN
City Springs Theatre Company

SEEKING
Equity and Non-Equity actors/singers/dancers for THE MUSIC MAN. 18+ ONLY. For show dates and more information, visit www.CitySpringsTheatre.com.

DATES
First Rehearsal August 12, 2024
Opening September 6, 2024
Closing September 22, 2024

VIRTUAL SUBMISSIONS
This option is for LOCAL ATL ARTISTS ONLY who have housing and transportation. We are NOT accepting submissions from non-local Actors at this time.

Please submit your audition via this airtable audition link HERE.

Submission window closes Wednesday, June 26, 2024 by 11:59pm.

CONTRACT & RATES

AEA LOA-LORT – New Contract Pending. Past rates are below: 
$619/week + health and pension Union 
$350/week Non-union

 PREPARATION

Song Submission (Principal & Chorus): Auditioning performers should prepare a short selection in the style of the show.

Dance Submission (Principle & Chorus): If interested in an ensemble role, please prepare the dance combination, which can be found HERE

 
PERSONNEL VIEWING AUDITIONS
Shuler Hensley, Director
Sara Edwards, Choreographer
Miles Plant, Music Director
Natalie DeLancey, Executive Director

Please refrain from sending emails. If necessary, please contact casting@cityspringstheatre.com

OTHER
City Springs Theatre Company and Actors Equity Association’s contracts prohibit discrimination. We are committed to diversity and engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, we encourage performers of all ethnicities, gender identities, body types, ages, as well as performers with disabilities, to audition.

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